Screening Room: Rion Amilcar Scott on Big Bird, Writing, Adulthood, and the Unfairness of Death

From ELECTRIC LIT

used to joke that between apparel, toys, books and DVDs, my family was, for a time, single-handedly funding Sesame Workshop, the non-profit that produces Sesame Street.

I had always been fascinated by Jim Henson’s gentle philosophical method and by the visionary Id-like wildness of his puppets. My toddler — himself an agent of chaos, akin to so many of Henson’s greatest creations — provided the perfect excuse to finally study at close range the antics of Henson’s Muppet characters. There was another reason of course, the great unpleasant present that often numbed me and left me cold: the low bank balances and high fees for existence; the sameness of each workday and fleetingness of each weekend; the damn maddening frustration of constantly having to be the disciplinarian — how bad I was at all of this. And the paperwork. No one tells you about the paperwork that adulthood involves.

Read the rest of the post here: Rion on Big Bird

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