Cole Lavalais’s arresting debut novel, The Summer of the Cicadas, engages with a mother-daughter relationship, mental health, and first love, set on the campus of small black college in the South. The novel’s main character Viola (Vi) Moon is still emotionally fragile after a recent hospitalization at a mental health facility, but she’s also determined to step into her future. As she begins her freshman year in college, she gets involved with Perry, the only son of an elite black family. Then a family mystery further threatens Vi’s stability and leads her on a search for her father. From the devastating opening chapter to the final, revelatory pages, Summer of the Cicadas is a fresh, unforgettable story about the struggle to heal from wounds of the past.
Lavalais is a fellow of the Kimbilio Center for African American Fiction, VONA/Voices, and the Callaloo Creative Writing Workshops. She has been awarded writing residencies at the Vermont Studio Center and The Noepe Center for the Literary Arts. Her short stories have appeared in publications including Obsidian, Apogee, WarpLand, Tidal Basin Review, and Aquarius Press. She holds an MFA from Chicago State University and a PhD from University of Illinois at Chicago. She has taught writing for over ten years. On the South Side of Chicago, Lavalais teaches a community-based writing workshop and hosts Colored People’s Time, a bi-monthly literary salon featuring fiction writers of color.
I recently had the pleasure of speaking with Cole Lavalais about Summer of the Cicada, why she’s a huge fan of outlining, and the importance of dedicated communities for black writers.
Read the interview here: Deesha Interviews Cole